Vanguard画廊群展“混沌与不思议”正展出陈兴业、代占坤、张文智三位艺术家的潜心创作。近期我们将一一介绍他们的艺术实践与创作，本期重点介绍艺术家陈兴业的相关作品。展览将持续至3月9日，欢迎大家前来观展。
The exhibition “An Unlikely Menagerie And The Resulting Chaos” at Vanguard Gallery presents a curated selection of artworks by Chen Xingye, Dai Zhankun and Zhang Wenzhi. In the upcoming series of features, in addition to this post spotlighting Chen Xingye's work, Vanguard Gallery will delve into individual art practice and creations of each participating artist. The exhibition will be on view until March 9, we warmly welcome you to visit before the show ends.
《无题》
Untitled
油画纸、丙烯、PLAKA哑光漆、彩色墨水、拼贴
Canvas paper, acrylic, PLAKA matte paint, color ink, collage
41 x 31 cm｜2017
陈兴业
Chen Xingye
陈兴业的作品延续了对力量本身的感官化与审美化线索。在他的新作中，火山喷发作为不容辩驳的原动力主宰着画面，它的动能通过一系列形象与动态互相传导。画面中的符号既贯穿了流行文化和历史文明的边界，也连带起视觉以外的感官冲击。陈兴业如同经营一场摇滚音乐会一样编排出绘画长卷，回应着他在视觉与声音艺术之间的持续探索。
Chen Xingye's works continue to illustrate the sensory and aesthetic threads of power itself. In his new pieces, volcanic eruptions dominate the imagery as an undeniable driving force, with its kinetic energy conveyed through a series of images and dynamics. The symbolism in this work traverses the boundaries of popular culture and historical civilizations, evoking sensory impacts beyond the visual realm. Chen Xingye orchestrates his paintings like managing a rock concert, responding to his ongoing exploration between visuals and sound.
局部
《颤音》
Vibrato
水彩纸、彩色墨水、液体水彩、流质丙烯、
液体木炭、天然色粉、石墨粉、炭粉
Watercolor paper, color ink, liquid watercolor, liquid acrylics,
liquid charcoal, pigment,graphite powder, charcoal powder
152 x 473 cm｜2023
陈兴业的绘画透露出对猩猩这一对人类而言极具镜像意味生物的着迷，艺术家用一种当代的表达方式叙述其作为现代人对于原始的臆想，同时亦是对于未来的想象。夸张的肌肉形体无疑是原始力量的图腾，而力量假象下的原始与当下是否又有相同的关联呢？“猩猩”只是想象的客体，这些想象的图像映照着我们对自我的审视，对自身与当下，现实与虚无，过去与未来的平衡。
The paintings of Chen Xingye reveal his fascination towards apes, creatures that have mirror effect for human beings. The artist uses contemporary expression to describe his imagination for the primeval age as a modern man, but also for the future. The exaggerated muscular body is undoubtedly the totem of primitive power. Is there same connection between the primeval age and present under the illusion of power? “Ape” is just the object of imagination, thus these imagined images reflect our self-examination and the balance between ourselves and present environment, reality and nihility, past and future.
早期作品 EARLIER WORKS
《手指月亮》
Finger at the Moon
纸上彩色墨水
Color ink on paper
110 x 79 cm｜2018
《指令》
Do or Die
纸上墨水、色粉
Ink and color pastels on paper
111 x 80 cm｜2021
展览现场 INSTALLATION VIEW
©文章版权归属原创作者，如有侵权请后台联系删除