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pic 1-4:
纪元-孤舟 An Era-Lonesome Boat, 布面油画Oil on canvas
450 x 200 cm 2020
赵博的创作视角受中国古代绘画，尤其是北宋山水绘画的影响——将自我从现实生活中抽离，并置入庞大的自然景观之中。这其中，渺小的人类与浩瀚的自然之间于肉身和精神层面的张力令他十分着迷。因此，赵博常常以剪影的方式绘制人物，通过来自各方的元素以意想不到的方式并置，创造一种虚拟时空景观，使观者重新审视赖以生存的当代社会。
Zhao Bo's work is influenced by ancient Chinese paintings, especially the landscape paintings of the Northern Song Dynasty, removing the self from real life and placing it in the midst of vast natural landscapes. He is fascinated by the tension between the physical and spiritual dimensions of the small human being and the vastness of nature. As a result, Zhao Bo often draws his figures in silhouette, juxtaposing elements from various sources in unexpected ways to create a virtual landscape, allowing the viewer to re-examine the contemporary society in which he lives.
这件创作于2020年的《纪元-孤舟》便基于这一理念而来。绘画中，长远的构图借鉴了中国古代绘画的“三远”之法，而雪林的原型取自艺术家工作室旁边的冬林，但却以草书的笔势偏向于意象化的表达，即生活景观与精神场域的融合。金字塔作为庞大社会体系的象征，影响着人们的日常生活。一艘工业生产下的皮划艇，以其扁平化的造型和设计，刺破了人们在古代绘画中关于“船”的想象。皮划艇停驻在静止的河流上，其上的人拿着船桨，向那看似可以到达却或许无法到达的金字塔方向，无声地凝望着…
This work, An Era – Lonesome Boat, created in 2020, is based on this idea. The long-distance composition draws on the three distant method of ancient Chinese painting. The prototype of the snow forest is taken from the winter forest next to the artist's studio, but with cursive strokes favouring imaginative expression, that is the fusion of living landscape and spiritual field. The pyramid serves as a symbol of a vast social system that affects people's daily lives. An industrially produced kayak, with its flattened shape and design, pierces the imagination of ancient paintings of the boat. The kayak rests on the still river, its occupants holding paddles and gazing wordlessly in the direction of the seemingly accessible but perhaps inaccessible pyramids…
pic 5:
追忆似水年华 5号 In Search of Lost Time No.5, 布面油画 Oil on canvas
250 x 150 cm 2019-2020
《追忆似水年华》的灵感来自于辽宁省博物馆藏宋徽宗的《瑞鹤图》，各种形态的飞鸟在空中翱翔，形成一种节奏。存在于现代都市景观的室内泳池被突兀地放置在大自然之中，来自南极的企鹅或是伫立在人工制造的黄色皮划艇上，或是自行游走、穿梭于泳池周边，形成一种魔幻的时空景观。泳池不远处的密林背后掩映着金字塔，似乎表征着笼罩着这一奇幻景观的文化系统。整幅画面剔除了人的痕迹，以荒野化的方式呈现和凝视人类所创造的当代生活景观。
In Search of Lost Time,is inspired by Song Huizong's Auspicious Cranes which collected in the Liaoning Provincial Museum. In this work, birds of prey of all shapes and sizes soar through the air, creating a rhythm. Indoor swimming pool that exist in modern urban landscapes is abruptly placed in the midst of nature. Penguins from Antarctica either stand on man-made yellow kayaks or swim and weave around the pool on their own, creating a magical landscape of time and space. Not far from the pool, hidden behind the dense forest, are pyramids that seem to characterise the cultural system that envelops this fantastic landscape. The whole picture eliminates the traces of man, presenting and gazing at the contemporary landscape of life created by human beings in a wilderness-orientated way.
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