Q&A｜王婧 #自然元素像是一种呼吸

像是一种呼吸，让我能够非常放松，特别舒展。不具有其他东西所具备的那种社会属性，自然界中的这些元素会给我亲切的感受。

一定是有的。如果你置身其中，有的时候你不必去深入的了解，不用从多么专业的角度去研究。单单就是通过感官去看，去体会，触摸和感受，你会获得一些独特的审美体验吧，每个人得到来自自然的反馈是截然不同的。

这个大多是观看者给予的评价吧。我反观自己的作品，或许是源于图像本身的趣味性和在那个“当下”带给我的感受。这些感受就像是记忆一样会伴随我的创作过程。还有一点是作品中的色彩，这是我非常在意的一个点，我认为它能很大程度上精准的体现我创作中很感性的部分。

其实在起初也没有完全设定是它朦胧的或者怎么样，这可能跟我使用色粉这个媒介以及我的工作方法有很大关系，我几乎不用笔去塑造什么。当画面出现之后我再来判断，这样看来确实是有一定的不确定性。

没有什么指涉，这次展览中的两幅作品出现了彩色的虚线，是过程中反复剥离图像后出现的具有形式感的元素。我认为抽象化反而更精准的指向我想要的感受。很多来现场的朋友，也在问我画面中的图像是什么，我更希望它具备一定的开放性，可以自行解读。

有没有激发某种感受，这个可能比较私密。

从目前的现实情况来看确实是大家讨论的热点，我觉得可能也是资本或从业人员愿意看到的现象，其实女性艺术家很早之前就开始展示独立的价值与力量，不必依靠一些定义来展示自己，我认为标签并不是最好的理解作品的渠道和方式。

It's like a breath of fresh air that allows me to relax and stretch. It doesn't have the social properties that other things have, but these elements in nature give me an intimate feeling.

There must be. If you are in it, sometimes you don't have to go deeper. You don't have to study it from a professional point of view. By seeing, experiencing, touching and feeling through your senses, you will get unique aesthetic experiences, and everyone gets very different feedback from nature.

It's mostly the viewer's opinion. When I look at my work, it may come from the playfulness of the images themselves and the feelings they give me at the moment. These feelings are like memories that stay with me through the practice process. Another thing is the colour in my work, which is something I am very concerned about. It is a very accurate representation of a very perceptual part of my work.

It has a lot to do with the medium I use and the way I work. I hardly ever use the brush to shape anything. I judge the image when it emerges, so there is a certain amount of uncertainty.

There is no reference, but the coloured dashed lines in two of the works in this exhibition are formal elements that emerge from repeatedly stripping away images. Abstraction is more precise in pointing to the feeling I want. Many of my friends who came to the exhibition asked me what the images in the paintings were, and I preferred them to be open to interpretation.

Does it inspire certain feelings? This may be more personal.

Not really. Sometimes there are emotions or ideas that can't be described very clearly. This step is bound to be translated into the painting, and this process also creates some sense of design, which comes from the personal visual experience.

Yes, memories or thoughts influence me to a large extent in the practice process.

For the current reality, it is indeed a hot topic of discussion, and it is also a phenomenon that capital or practitioners would like to see. In fact, female artists started to show their independent value and power a long time ago, and they do not have to rely on some definitions to deliver themselves. I don't think labelling is the best way to understand the work.